Colorado Springs Philharmonic
PHILHARMONIC KIDS
Uncle Wilber's New World Tour (Oct. 28-29, 2009)
Uncle Wilber takes a break from Acacia Park to make his stage debut!
He meets composer Antonin Dvorak and learns a lesson in leadership.
POSTER
Meet the Conductor



Maestro Thomas Wilson
Associate Conductor

Thomas Wilson is currently Music Director of the Chamber Orchestra of the Springs, Associate Conductor of the Colorado Springs Philharmonic, Cover Conductor for the New York based pops show Symphonic Night at the Oscars, serves on the music faculties at Colorado College and the Colorado Springs Conservatory and maintains an active guest conducting schedule. Mr. Wilson previously conducted for the Colorado Springs Youth Symphony program and founded the Young Concert Artists of Colorado Springs.

Mr. Wilson began studying piano at the age of four. Later studies included trumpet, percussion, string bass and voice before concentrating his efforts on trumpet, conducting and composition. Thomas graduated summa cum laude from the University of Northern Colorado, receiving the School of Music’s highest honor—the Departmental Scholar Award.

A primary focus of Mr. Wilson’s conducting career has been collaborations between performing arts organizations, which he sees as essential to artistic growth and a unified arts community. Thomas has led the Colorado Springs Philharmonic and the Chamber Orchestra of the Springs in collaborative performances with the Colorado Springs Children’s Chorale, Colorado Vocal Arts Ensemble, Young Concert Artists, Colorado Springs Youth Symphony, Pikes Peak Ringers, The United States Army Field Band, Ballet Society of Colorado Springs, Peak Ballet Theatre, Fusion Pointe Dance Company, Ormao Dance Company and the Colorado Springs Conservatory, just to name a few. Thomas frequently conducts new works by local composers, including the world premier of Mark Arnest’s Pike’s Dream, about the life and times of Zebulon Pike. Thomas’ recent recording projects include the world premier recording of Kevin McChesney’s Ring of Fire and a live, 2-CD release of the Flying W Wranglers with the Colorado Springs Philharmonic.

Winner of international recognition as a trumpeter, Mr. Wilson has extensive experience performing and recording with orchestras, ensembles and artists. He is one of only three trumpeters ever selected as a finalist for both the International Trumpet Guild Orchestral and Solo Performance Competitions in the same year. As a composer and arranger, Thomas has dozens of published titles and is currently arranging new artist features and a Big Band jazz program for the Philharmonic.

Mr. Wilson has been called “someone to watch” and “a very exciting conductor” by Michael Tilson Thomas, one of the foremost conductors of our time.
 

         

       

 Next Concert
Beethoven's Fifth Symphony

Tuesday, April 20, 2010 9:30 and 11:00 a.m.
Pikes Peak Center
POSTER
                                   

    

 

     

                                                                                                                         

About the Music

Composer

Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: [ˈantoɲiːn ˈlɛopolt ˈdvor̝aːk]  (Speaker Icon.svg listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.

Dvorak(1841-1904) spent almost three years in the United States as the Director of the National Conservatory of Music.  He spent a summer in Spillville, Iowa, where there was a colony of Czechs.  He came to encourage American composers to write nationalistic music, as he had in Czechoslovakia (now the Czech Republic).  He earned $15,000 a year in the United States.  That was about twenty times what he had earned as a professor at the Prague Conservatory.  Dvorak was interested in Native American melodies and African American spirituals.

Performance Selection
Symphony Number 9 - New World Symphony

1st Movement

2nd Movement PT 1

2nd Movement PT 2

3rd Movement

4th Movement
 

What to Expect at the Concert • Important Reminders

When your school arrives, follow instructions for unloading and wait for ushers to escort students and teachers to their assigned seats.

When students take their seats, orchestra members will be warming up and practicing their music on stage. When the overhead lights dim, the audience should sit quietly so that the concert can begin.

The Concertmaster, Michael Hanson will enter with his violin. The oboe sounds the “A”and the orchestra tunes up. An announcer will introduce the Conductor, Thomas Wilson.

CONCERT ETIQUETTE

The audience (that’s you – the students and teachers) has an important role to play in the Philharmonic Kids Concert. Until the audience arrives, there are no concerts, only rehearsals! Audience members need to watch and listen carefully, for they have a great influence on the performers.
Here are some guidelines for helping everyone to enjoy the concert:
• Sit quietly and listen carefully as the musicians perform.
• When an announcer is speaking to the audience, listen for information about the music.
• Don’t make noises or movements that will distract other audience members or the performers.
• If the music sounds fast and exciting, please do not clap along with the beat of the music, unless invited to do so by the conductor.
• Show your appreciation with enthusiastic applause, but cheering and whistling should be reserved for sports events.
This last item is especially important. In the classroom, be sure to listen to the ending of each selection, and instruct students to watch the conductor so that they don’t spoil the performance by clapping too soon! Applaud ONLY when a selection is over – watch the conductor, who will put his arms down at the end of the music. Don’t be tricked; the music may get very soft or even pause, so watch the conductor until the very end
!

 

Curriculum

Vocabulary

Content Integration

  • Geography
Assessment
 Essential Questions

Why is it important to have a conductor in the Orchestra?
What would happen if an orchestra didn't have a conductor?
How do composers write music for an orchestra?
If you were a composer, how would you make sure that the musicians were playing together?
Why do you think Dvorak came to the United States?
How did American folk songs and spirituals influence the writing of the New World Symphony?
How do you think living in America influenced Dvorak's music?
Why do you like the melodies in the New World Symphony?

Writing Prompts

If I were a composer I would write music about.....
If I were the conductor of an orchestra I would .....
If I lived in the time of Antonin Dvorak I would....

 
Parent Resources
 
Teacher Resources

These materials are designed to help teachers prepare their students to enjoy a great concert.

  • Display the concert program on a bulletin board.

  • Have the class review or learn the song, Swing Low Sweet Chariot. 

Next Concert
Beethoven's Fifth Symphony

Tuesday, April 20, 2010 9:30 and 11:00 a.m.
Pikes Peak Center
POSTER

Need Help? With questions or to pre-register by phone, call Roslyn Block at 719-575-9632 or visit the Colorado Springs Philharmonic website at http://www.csphilharmonic.org/education/philharmonic-kids/

Comments or Suggestions: