Enduring Understandings - important ideas that students should carry
with them years beyond the instruction received this year.
- People and cultures communicate through visual arts.
- Visual arts tell stories with mood and emotion
through images.
- Visual arts inform us about our culture, history and
society.
Essential Questions - most important “big picture” questions students should
be able to answer after completing learning activities.
- What is art?
- What makes a piece of artwork good?
- How can I communicate my ideas thoughts and
feelings effectively through art?
-
How do artists tell
about culture and history through images?
Standards-Based
Assessments
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
District 11
curriculum is designed to prepare and equip students to be
successful in the 21st Century. Curriculum resources and lessons
included here have been aligned to the Colorado Standards for each
content area. In addition, the entire program has been aligned with
the knowledge, skills, and learner attributes the
Partnership for 21st Century Skills promotes as necessary for
success in the 21st Century. You will see the highlighted core
values embedded in these lessons and activities.
|
Lesson 1: Gesture Drawing
Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and
evaluation. Describes/shows similarities and differences between
works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: sketchbook, pencil, found object for
drawing ritual, vine charcoal or conte crayon,
newsprint
Vocabulary: gesture drawing, proportion, figure
Activities
- "Let the poses of the people and the parts of their bodies
be so disposed that they display the intent of their minds."
~Leonardo da Vinci
Warm up with a 5 minute
Drawing Ritual in your sketchbook-
Art Rituals in the Classroom
Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
- GESTURE is a movement of the body or limbs that
expresses an idea or attitude. GESTURE DRAWING is a
quick drawing of the human figure expressing a position and
mood. We will be gesture
drawing in your sketchbooks today. This will be our
introduction to our next Kenya activity.
- Follow the
Gesture Drawing Dance Lesson. Unlike contour drawing,
gesture drawing does not start with an outline. It starts
from the center (the core) and moves out to all the joints, the
extremities, emphasizing movement and action as it rapidly
colors in the figure. Gesture drawing is the opposite of slow
and careful contour drawing. Gesture drawing is from
observation, but it is done very fast--not slow and deliberate
as contour drawing needs. Use a soft stick of charcoal or
conte crayon on newsprint. Have someone model a pose
on a table-bend at the waist, stretch out an arm and a leg so
the class can draw the gesture. This lesson is lots of fun!
-
You can try some stick figures in charcoal as well.
Look at this
Figure Drawing Basics Website.
Use another student model. It may be easier to see elbow and
knee joints if you tape the model's elbows, knees, wrists and
ankles with colored tape. For a more sophisticated stick
figure-add a line across the shoulders and a line across the
hips Use elbow and knee joints. Don't worry about
perfection!
- You may draw a few gesture drawings on one page in the
sketchbook to save paper. You do not need to erase, just
lightly draw the lines until you "find" where the line should
go, then darken it. TIP: Slightly curvy lines are
more human than straight lines. Have fun!
- Demonstrate The 3 basic solids from the webpage on the
board. Use them in your stick figure. After some
practice, have someone pose on a table.
- To draw a figure with proper body PROPORTIONS, artists often
use the head width and length as a guide. Use this webpage
of
Body Proportions.
- Look at Vitruvian Man by Leonardo da Vinci
from the Body Proportions Website. The
drawing is based on a model of ideal proportions established by
the ancient Roman Vitruvius.
Differentiation
Support:
Extension:

Lesson 2: Kenyan Figurines-Bodies
in Proportion (Part 1)
Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: sketchbook and pencil, small found object
for drawing ritual, Kenyan resources to look at (including people
and clothing), 11"x17" photocopies of standing "balloon person"
approx. 15" tall (look at a Balloon Person from the
Ellis Wilson Website and draw one
to photocopy for your students, precut sections of colored wire
(about 12"-15" for easy handling, small fabric scraps in various
colors, 4"x4" squares cardboard or posterboard, hot glue, scissors
Vocabulary: figure(a bodily form), figurine(a small
statuette), proportion (a proper relation between body parts),
balance
Activities
- Warm up with a 5 minute
Drawing Ritual in your sketchbook-
Art Rituals in the Classroom
Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
- Try more gesture drawings. Follow the
Gesture Drawing Dance Lesson. This will help you when
you form your figurine in wire.
- Look at this
Educational Website under "Other
Lessons and Resources" then "Kenyan Art Figurines" lesson. TIP: This lesson is geared for 4th graders but is easily
transferred to 2nd grade. The figurines in this lesson are
depicted as stick figures, but you may create your figurine with
wire like a gesture if you prefer.
An adult will demonstrate how to handle the wire and how to
attach and twist new wire onto the figurine. You can form the wire
like a gesture drawing, bending and twisting and shaping the
wire to form a body with proper length and width. Where do you want to begin? At the torso? The head?
There is no wrong! Continue to form the
body, Don't worry, just do the best you can. When you run out of wire, use another piece and twist the
wire to attach it to the body.
- As you are forming your body, ask yourself if your figurine
has proper body proportions. Use this webpage of
Body Proportions
to look over if you need to.
- Put your name on a piece of cardboard. The teacher
will hot glue the feet of your person onto your piece of
cardboard. The figure needs to be BALANCED on the
cardboard to keep it upright.
- You are now finished your wire body in proportion!
Great job! Put these away for next art class.
- Collect any wire that can be saved and put it into the wire
box for another time. Throw away any tiny wire that
cannot be used.
Differentiation
Support:
Extension: Balloon Person from the
Ellis Wilson Website

Lesson 3: Kenyan Figurines (Part 2)
Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: sketchbook and pencil, small found object
for drawing ritual, Kenyan resources to look at (including people
and clothing), 11"x17" photocopies of standing "balloon person"
approx. 15" tall (look at a and draw one to photocopy for your
students, precut sections of colored wire
(about 12"-15" for easy handling, small fabric scraps in various
colors and patterns, 4"x4" squares cardboard or posterboard,
hot glue, tacky or fabric glue, scissors
Vocabulary: figure, figurine, proportion, balance
Activities
- Warm up with a 5 minute
Drawing Ritual in your sketchbook-
Art Rituals in the Classroom
Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
- Finish the wire figurine if you need to. Your teacher
will hot glue it onto a piece of cardboard with your name on it.
- Now for the clothing. Take a look at the
ABC Book of Kenya, Africa .
Here are
Photos of the People and Tribes of Kenya. Look at
the wonderful clothing and jewelry that the men and women wear. The women and sometimes men of certain tribes wear kangas that
are wrapped around the body. What kinds of colors are the kangas? Do you see patterns? How does this style of
clothing differ from ours?
- You can move the arms and body of the figurine to show an
action. Keep it BALANCED so it doesn't tip to one side.
Choose two scraps of cloth. You may add patterns or
more colors with markers to your cloth if you'd like. Wrap
one around the body of your figurine and glue it
down with tacky glue. Wrap the other around the shoulders
and glue. Would you like to add a head scarf? What
else would you like to add?
- You are finished your Kenyan Figurine!
Differentiation
Support:
Extension: Balloon Person from the
Ellis Wilson Website

Lesson 4: Making a Kanga-Printmaking (Part 1)
Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: sketchbook, pencil, small found object for
drawing ritual, 4"x4"cardboard for the base of the plate, 4"x4" tagboard to cut and glue onto the base
Vocabulary: collagraph, kanga
Activities
- Warm up with a 5 minute
Drawing Ritual in your sketchbook-
Art Rituals in the Classroom
Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
- This lesson will be a block design using cardboard (collagraph),
ink and brayers. .
- Look at
Kanga USA to view Kanga
styles and sayings and how they are wrapped around the body.
- Early this century, Swahili sayings were
added to kangas. Supposedly this fashion was started by a
locally famous trader in Mombasa,
known as "Abdulla". His many kanga designs often
included a proverb. At first, the sayings, aphorisms or slogans
were printed in Arabic script, later in Roman letters. Many of
them have the added charm (or frustration!) of being obscure or
ambiguous in their meaning. If you find a motto that you can't
figure out, ask several different Swahili speakers. You will get
an equal number of different explanations!
- New kanga designs keep appearing in great
variety: - simple or intricate abstract patterns; homely themes
such as chickens, crops, babies and fertility; pictures of
famous attractions like mountains, monuments and wildlife; even
pop stars! There are noticeable regional differences. For
example, most of the kangas with mottos are made in Kenya, while
those commemorating social or political events are more common
in Tanzania.
-
Let's view some
Kanga Styles. Click your favorite Kanga and you will
view a larger image and the motto on the kanga. Describe your
favorite. Are there patterns? What does it look
like? Let's design
our own kanga in our sketchbook. Turn your sketchbook
horizontally and draw a 1 inch "fence" along the inside of the
page. Some typical kanga sayings are listed Pick a saying from one of the kangas
or think of one yourself. Write the saying above the bottom fence
line.
- You need ONE simple design that will be
placed in the middle of your kanga to help describe your saying.
What will the picture be? Draw a smaller square in the
middle of your page and draw a SIMPLE picture inside the square.
TIP: This picture should be so simple it could be drawn
with one outline and simple detail inside. Is it an animal or
insect? Is it a shape? If using a shape, more than
one shape can be used. A building? A flag?
- Here is a
Printmaking Lesson.
Use plan #043
- Use a piece of 4"x4" cardboard. Write your name on the back of the cardboard. Draw your
simple
design on the 4"x4" tagboard. Cut it out and glue it onto the
cardboard. You can add simple lines on top of your tagboard with
your glue bottle but keep it simple!! Put this away to dry for the next class.
- Clean Up: Throw away all scraps and look under your
chair as well. Wipe and close the glue bottle and put it
away.
- We will print our collagraphs next time.
Differentiation
Support: Instead of using cardboard to make a print,
the child may carve into a potato using a spoon or plastic knife and
add marks with a fork. Dip into tempera paint or paint the potato
with tempera and a brush.
Extension: You may use potatoes and tempera
paints if you desire. They may draw simple shapes and
lines that can be easily carved into the potato. Letters can
be used but they must be carved backwards to create a proper print.
Use plastic spoons, forks, knives to carve. Pencils may be
used to create lines and letters.
You may also create 2 collagraphs to print using two potatoes: one for the
center, and one for the border design .

Lesson 5: Making a Kanga-Printmaking (Part 2)
Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: sketchbook, pencil, small found object for
drawing ritual, 4"x4"cardboard for the base of the plate, 4"x4"
cardstock to cut and glue onto the base, 18"x24" light colored or
white paper OR cloth with a 4" width fence drawn inside the edges
with a black permanent marker, black ink, brayer, tray,
newspaper, paper towels
Vocabulary: collagraph, kanga
Activities
- Warm up with a 5 minute
Drawing Ritual in your sketchbook-
Art Rituals in the Classroom
Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
- Demonstrate the printing technique. You need:
newspaper on the table, the large white kanga paper or cloth, collagraph on top of a scrap paper, tray
with a line of ink and a brayer, damp paper towel to wipe dirty
fingers, more scrap paper when rubbing the collagraph on the
paper or cloth. To roll the ink look at this
Printing Help website if you need to. After rolling
the ink onto the collagraph, put the brayer upside down near the
tray, pick up the corners of the collagraph and place it ink
side down onto the middle of your printing paper or cloth. Cover the collagraph with
a clean scrap paper and rub. If your fingers are dirty
wipe them on a damp paper towel. Remove the scrap paper
and the collagraph from the print paper. The Collagraph should be placed in
its original
position for the next print and the scrap paper should be put
in a pile to dry and used for scrap at a later date. Wipe
fingers with the damp paper towel and begin the process again
for the second print. Keep your area CLEAN!
- Print along the borders as well. You may print in the
corners an not along the edges if you'd like.
- You may switch collagraphs with a friend and continue
printing if you'd like.
- Clean Up: Put your paper or cloth in a designated
place to dry. Throw away all dirty newspapers and paper
towels. To clean the brayer: roll it onto damp paper
towels in one direction, then wipe clean with a fresh paper
towel. Wash your tray in the sink and dry.
TIP: You may want the children to place their trays in a
bucket of water to wash for later.
- Color will be added to the kangas next time.
Differentiation
Support:
Instead of using cardboard to make a print, the child may carve into
a potato using a spoon or plastic knife and add marks with a fork.
Dip into tempera paint or paint the potato with tempera and a brush.
Extension:

Lesson 6: Finishing the Kanga (Part
3) Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: sketchbook, pencil, small found object for
drawing ritual, watercolors, water containers, large and small
brushes, newspaper, paper towels
Vocabulary: collagraph, kanga
Activities
-
Warm up with
a 5 minute Drawing Ritual in your sketchbook-
Art Rituals in the Classroom Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
-
The
printing is finished. Now to add the motto or saying.
Position the kanga horizontally. The motto is to be
written above the lower border line. You may lightly write with
a pencil, then go over the letters with a permanent marker.
-
Use
watercolors. Use large brushes for the large areas and smaller
brushes for the smaller areas. Paint in between and around your
prints carefully. Do not paint on top of the printed areas-it
may smear. Be careful! When switching colors, wipe
the brush with a paper towel first, then rinse. This keeps
the water clean.
Differentiation
Support:
Extension:

Lesson 7: Complimentary Paper
Animal Masks
Duration: 2 class periods
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: sketchbook, pencil, small found object for
drawing ritual, two 12"x18" and 9"x12" (or smaller) complimentary
colors for each student, scissors, glue sticks, Kenyan animal
references, color wheel
Vocabulary: complimentary colors
Activities
- Warm up with a 5 minute
Drawing Ritual in your sketchbook-
Art Rituals in the Classroom
Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
- Look at
Animals From Kenya photos. Here are examples of four
Wooden Animal Masks from Kenya .
Notice the basic shape of the heads and ears. Look at the
markings on the faces. Are they symmetrical?
You will design an animal
mask using paper. We will use two complimentary or
opposite colors. Remember what they are from our last
unit? Give examples from the color wheel. They are red/green,
blue/orange, yellow/purple. Complimentary colors tend to
vibrate the eye when placed next to each other.
- Choose an animal that lives
in Kenya. You may look at additional resources. What did
you choose? What is the general shape of the face?
Is it long and thin, short and squat...?
- Choose two 12x18
complimentary colors. Lay them on top of each other and
fold them in half lengthwise. Press hard along the crease. Keep them folded and draw a half of an animal head shape from
the fold. Do not draw the ear shape or whiskers-we will
work on this later. A giraffe or lion will use much of the
length of the paper, while a monkey head may not.
- Keep the two papers folded
together and cut out the "half" head shape. Open your
papers and see if you need to cut more. Fold them again and cut.
Do not make your head shape too small.
- Open up your papers to view
the entire head shape Choose ONE paper and cut along the
folded line.
Glue this half onto one side
of the whole animal head. You will end with an animal head
with two complimentary colors. They should be symmetrical.
TIP: IF you would like to have both eyes cut out as well,
draw an eye shape on one side of your mask. Draw a LINE from the
inside corner of the eye to the middle line. Fold the mask
along the center line. Cut the line that begins at the fold and
follow it to the eye shape. Cut out the eye. When the mask
is opened the eyes should be symmetrical. You may want to
save the two eye scraps to add to the mask later.
- Now to add ear shapes: If your scraps are too small
use two 9x12 complimentary colored papers for your shapes.
Keep the papers together and draw an ear shape on one side of
the paper so as not to waste it. Make sure the shape is
large enough. Cut both papers out carefully. On the large opposite head shape, glue one ear down on
it's complimentary color. Glue the other ear shape on the
other side and make sure the ears are symmetrical.
- Add any other shapes like eyes, nose, stripes, horns,
trunk... You may even add shape inside shape for detail.
They look great! Put your name on the lower right
corner of your finished animal Mask.
- Clean Up: Pick up all scraps under your chairs and on
your table. Put larger scraps in the scrap box and throw
out tiny ones. Put all other materials away.
- Display the Animal Masks from Kenya outside the art room for
all to enjoy!
- View the student
ART GALLERY of wonderful animal masks from Southeastern
Elementary in Iowa.
Differentiation
Support: Give the student two sheets of paper already folded.
Direct him or her to cut off the corners of the open side. This
will create an oval shape.
Continue guiding the student until the animal head shape is
complete. The child may need to be guided step-by-step by a
helper.
Extension: This is a website of the functions and styles
of
Various Masks of Africa. Write a summary describing your animal mask and how it would be
used.

Lesson 8: Bird of Kenya Contour
Line Drawings with Texture (Part 1)
Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: soft pencil, sketchbook, live bird to draw (if
possible), birds of Kenya photo references, 12x18 white paper,
pencil, black marker
Activities
- You do not need a drawing
ritual since you will be drawing birds all class period.
- Look at some images of
Kenyan Birds. What are some birds that live in Kenya? What
do they look like?
- For the first part of this
lesson you will complete a live bird drawing in your sketchbook.
Cockatiels are excellent birds to draw, but any live bird will
do.
If you are unable to draw a live bird, use a photo instead.
- Draw a few sketches of a
bird. You may also zoom in on bird parts like the eye, foot,
beak...
- Using your finished sketches
and your photo references of some Kenya birds begin a large bird on paper.
Write you name on the back.
- Outline
this lightly in pencil. You may place the bird in an
environment. Where would you like it to be? Use simple contour
lines only in the background. Trace over your contour lines with
a black marker.
View some Cockatiel Sketchbook Drawings from the student
ART GALLERY.
Differentiation
Support:
Extension:

Lesson 9: Bird of Kenya Contour Line
Drawings with Texture (Part 2)
Duration: 1 class period
Standard 1:. Recognizes and uses the visual arts as
a form of communication. Selects visual images for works of art to communicate ideas.
Standard 2: Knows and applies elements of art and principles of design. Identifies primary colors.
Standard 3: Knows
and applies the use of tools, materials, techniques, and processes. Demonstrates appropriate used of tools and materials. Demonstrates instructed techniques and processes.
Standard 4: Demonstrates
an understanding of art in relation to history, culture, and community. Produces art that has
been influenced by aspects of history. Produces art that has been influenced by
aspects of culture. Produces art that has been influenced by aspects of
community.
Standard 5: Critiques
works of art through analysis, assessment, and evaluation. Describes/shows similarities and differences between works of art. Describes the mood and/or feeling in works of art. Explains personal likes and dislikes about works of art.
Enduring Understandings:
People and cultures communicate through visual arts. Visual arts inform us about our culture, history and
society.
Essential Question: How do artists tell about culture and
history through images?
Assessment:
Second
Grade Grading
RUBRIC
Materials: live bird to draw (if possible), birds of Kenya
photo references, 12x18 white paper, pencil, black and colored
markers (like Mr. Sketch), texture boards, crayons without paper
Vocabulary: patterns, solids
Activities
- Warm up with a 5 minute
Drawing Ritual in your sketchbook-
Art Rituals in the Classroom
Choose an
object to
place in front of you. Pretend an ant is sitting on the top of
the object. Draw the object in the air: use your finger to follow
the ant SLOWLY around the object until he reaches the starting point. Next, fix
your eyes on the ant sitting on top of the object and position
your pencil on your sketchbook. As your eyes follow the ant,
your pencil follows your eye movements exactly. Look down
at your paper ONLY to reposition your pencil. Refer to the
VALUE SCALE that you completed in your sketchbook. Add VALUES
to your drawing beginning with black or #5. It is easiest
to see the darkest value when you SQUINT at your object.
Then add you middle value. Put the date in your
sketchbook.
- Use markers to begin adding
color to your bird or background. You may leave your bird white
if you'd like. Color in your areas neatly. You mayadd patterns
and solid areas. Leave lots of areas white for your textures in
crayons.
- When you have finished with
your markers, lay a texture board under your picture. Use the
side of a crayon (without paper) and rub the area to create
texture. You may overlap crayon colors. Change texture boards
frequently.
- When you have finished adding
colors and textures to your bird picture glue this onto larger
black paper. Write your name on the lower right corner.
- Display your Kenyan Contour
Line Drawings with Texture outside the art room for all to view!
They will be impressed! Good for you!
- View the student ART
GALLERY for some beautiful birds with texture.
Differentiation
Support:
Extension:

Lesson 10:
Duration: 1 class period
Enduring Understanding:
Essential Questions:
Activities
-
Differentiation
Support:
Extension:

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Lesson 11:
Duration: 1 class period
Enduring Understanding:
Essential Questions:
Activities
-
Differentiation
Support:
Extension:

Lesson 12:
Duration: 1 class period
Enduring Understanding:
Essential Questions:
Activities
-
Differentiation
Support:
Extension:

Lesson 13:
Duration: 1 class period
Enduring Understanding:
Essential Questions:
Activities
-
Differentiation
Support:
Extension:

Lesson 14:
Duration: 1 class period
Enduring Understanding:
Essential Questions:
Activities
-
Differentiation
Support:
Extension:

Lesson 15:
Duration: 1 class period
Enduring Understanding:
Essential Questions:
Activities
-
Differentiation
Support:
Extension:

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